Peterson Tuners and Metronomes


the future of effects

deep sound design and performance tools

It’s an undeniable fact, Meris truly is paving the way for the future of musical effects right now.

While Meris may be still seen to many as a fledgling company, the industry experience contained within the team spans several decades.

Founder Terry Burton and lead DSP engineer Angelo Mazzocco have both achieved seminal work at industry leaders Strymon and Line6. Now add creative director Jinna Kim’s massive branding experience and it’s no wonder that Meris currently make the best looking and best sounding effects in the business.

Whether you’re looking for lush cinematic ambience, otherworldly modulated echoes, bit-crushed arpeggios or pro studio mic-preamps, you’ll find it all in Meris’ spectacular range of compact pedals and 500-series euroracks.

Polymoon – Super Modulated Multi-tap Delay

Communicate with your Dream State

Inspired by Frank Zappa’s and Allan Holdsworth’s innovative use of cascaded rack gear, this super-modulated delay was created to bring a new mind-altering dimension to guitar, bass and synth-players sonic palette with its deep and powerful algorithmic flow.

Practically riding on a tidal wave of shimmering stars and orbiting planets, the Meris Polymoon creates everything from perfectly pristine multi-tap delays, sweeping and shooting modulated bursts to swirling interstellar dreamscapes via its rich yet intuitive design. Just plug in and dream away!

Polymoon’s unique delay algorithm truly sets the bar for what a modern-day digital delay effect should be. With its 1200ms of delay, 6 different multi-tap delay lines, a multi-mode stereo dynamic flanger, tempo syncable stereo barberpole phaser, dimension control for smearing delay lines together and a wealth of LFO and pitch-shifting modulation available via the ALT button, Polymoon is completely uninspired by specific pieces of classic gear. Instead, Polymoon seeks to capture and inspire certain moods and atmospheres with its epic cinematic sounds.

Sure, you can create a simple digital delay line if you want, but after 10mins you’ll find yourself bathing in a heavenly sea of multi-tap delays augmented with pitch-shifting, wild flanger doubling and swirling phasers, all running perfectly in sync with your playing. When it comes to the Polymoon, more truly is more!

Designed to surpass requirements for studio and live use, the Meris Polymoon features 24bit A/D & D/A converters, 32 Bit floating point DSP hardware and a premium analog signal path that always stays true to your core input signal.

Now add one of the best stereo images ever put in a pedal, and extreme expressive capabilities via an external expression pedal or MIDI, and it’s obvious that Meris has created something truly special in the Polymoon.


  • 1200mS real time selectable multiple-tap delay line
  • Massive multi LFO modulation controls
  • 6 custom tuned LFOs with adjustable waveforms for subtle to aggressive pitch shifting effects
  • Adjustable Tilt EQ filter in delay feedback
  • Tempo syncable stereo Barberpole Phaser
  • Multimode stereo Dynamic Flanger w/ feedback
  • Unique feedback topology
  • Dimension control for smearing reflections
  • Selectable quarter or dotted eighth note Tap Tempo
  • Digitally controlled Analog mix control
  • Stereo input and output
  • Switchable input output headroom level for Guitar, Synthesizer or Line levels
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack
  • External Tap Tempo over TRS
  • MIDI beat clock synchronisation
  • Premium and hi end analog signal path
  • Designed and built in Los Angeles, California U.S.A.

Mercury7 – Off-world Reverb Pedal

Replicants Standby

Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury7 is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms.

From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver!

Meris has left no stone unturned in their journey to bring ultra-advanced studio reverb capabilities to your pedalboard. The Mercury7 takes everything that made the original and highly regarded Mercury7 500-series studio rack-unit amazing and distils it all into a compact, sturdy and super intuitive pedal fit for any rig and instrument out there.

Mercury7 sports two different reverb algorithms (Ultraplate and Cathedra), which alone deliver a superb range of ambient tones. Now throw in the ability to modulate, pitch-shift, swell, sustain and EQ the reverb in a million different ways via its rich control set and ALT functions and you have a reverb pedal that has your back whether you’re going for smooth on-stage ambience or otherworldly sound designs that could easily form the backdrop to your favourite movie.

In addition, Mercury7 holds one of the most impressive stereo reverb images ever made, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Mercury7 is in essence way more than just another reverb pedal. It’s a deep and highly musical creative instrument in its own right.


  • Handcrafted Algorithmic Reverbs
  • Analog Mix & Dry Signal Path
  • Intra-Tank Pitch Regeneration
  • High & Low Frequency Damping
  • Extensive Modulation Capability
  • Auto Swell Envelope (variable and foot-switchable)
  • Stereo input and output
  • Switchable input output headroom level for Guitar, Synthesizer or Line levels
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack
  • Premium and High-end analog signal path
  • Designed and Built in Los Angeles, California U.S.A.

Ottobit Jr.

Arcade Dreams Reborn


From an era when visiting the arcade meant silicon-defined-sonics were burned into so many kids’ memories (big and small alike), the Meris Ottobit Jr. is inspired by the world of vintage gaming consoles, bringing those sounds directly to your pedalboard.

So what exactly is Ottobit Jr.? Well, it’s a bitcrusher, but it would be an insult to just call it that. It’s also an ultra-musical sequencer, stutter and filter effect, but it’s not JUST that either. It’s the sum of all of these parts that make the Ottobit Jr. what it is: a maniacal side-scrolling, coin-collecting, power-glove-punching-machine with a host of earth-shattering sounds that’ll melt your face right off! Heck, the pedal is so unique and innovative that it deserves to have a verb all of its own. So plug in, press play and Ottobit away!

Ottobit Jr. takes everything that made the original Meris Ottobit 500-series unit such an innovative studio tool and crams it down into a rugged and roadworthy pedal suited for any rig, be it guitar, bass or synth. Basically, if you have a creative bone in your body and you love designing crazy and unique sounds unlike anything else, then the Ottobit Jr is for you!

Ottobit Jr. sports a fuzzy bitcrusher with variable sample rate, triggered stutter effects, a multi-mode sequencer module and a mind-blowing low-pass filter that sounds just as good as any analog synth filter out there. All of this is syncable and controllable via tap-tempo, expression and/or midi. But most important of all, Ottobit Jr. always stays super reactive to your playing, seeing you jump from fiery fuzz tones to classic arcade bleeps and bloops, only to end up in a barrage of 6-step sequencing and glitchy stutter effects without breaking a sweat and without ever sounding unmusical.

The Meris Ottobit Jr. is built to Meris’ boutique standards in Los Angeles, California, USA. It features an analogue signal path and 24-bit AD/DA with 32-bit floating point DSP to ensure crystal clear sounds with loads of headroom.


  • Variable Sample Rate and Bit Crushing
  • Vintage Synth inspired Low-Pass Filter
  • Triggered Stutter Effects
  • Sequencer module for Pitch, Filter or Decimation pattern sequencing
  • Tap Tempo for Sequencer and Stutter
  • Stereo input and output
  • Switchable input/output headroom level for Guitar, Synthesizer or Line levels
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack
  • Remote Tap Tempo Switch capable via the EXP jack
  • Premium and hi end analog signal path
  • Designed and Built in Los Angeles, California U.S.A.

Audio Distribution Group is proud to be the distributor for Scandinavia and Italy for Meris.

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