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Meris

the future of effects

deep sound design and performance tools

It’s an undeniable fact, Meris truly is paving the way for the future of musical effects right now.

While Meris may be still seen to many as a fledgling company, the industry experience contained within the team spans several decades. Founder Terry Burton and lead DSP engineer Angelo Mazzocco have achieved seminal work at industry leaders Strymon and Line6 respectively. Now add creative director Jinna Kim’s massive branding experience and it’s no wonder that Meris currently make the best looking and best sounding effects in the business.

Whether you’re looking for lush cinematic ambience, otherworldly modulated echoes, bit-crushed arpeggios or pro studio mic-preamps, you’ll find it all in Meris’ spectacular range of compact pedals and 500-series modules.

But that’s not all, with the latest releases of Meris’ Enzo and Hedra pedals, both guitar players and other sonic experimentalists can get all the polyphonic synth and pitchshifting tones they ever dreamt of, from pedals that require no special pickups/connections etc. and all with flawless tracking.

Meris Products:
Meris Hedra – Rhythmic Pitch Shifter Pedal
Meris Enzo – Synth Pedal
Meris Polymoon Pedal – Super Modulated Multi-tap Delay
Meris Mercury7 Pedal – Off-world Reverb
Meris Ottobit Jr. Pedal – Bitcrusher
Meris Midi I/O – Control Interface
Meris Preset Switch – 4-Way Controller
Meris 440 – 500-Series Mic Preamp
Meris Mercury7 – 500-Series Off-world Reverb Module
Meris Ottobit – 500-Series Bitcrusher Module

Hedra – 3-Voice Rhythmic Pitch Shifter

Rhythm Prism

Every action has a reaction. A single stone thrown can create riveting ripple effects, while a humble key-turn can unlock a flurry of otherwise before unseen and unheard events. This is the magic Hedra bestows upon you and your instrument, seeing you unearth new harmonic sonic chain reactions with every single note played.

The Meris Hedra is a 3-voice rhythmic pitch shifter capable of adding 3 harmony voices to your instrument and with Tap tempo synchronised delay available for each voice, this beauty far transcends the realms of standard pitch-shifting. In addition, pitch glide, micro tuning, 4 individual delay configurations, adjustable pitch correction and midi keyboard control all combine in making Hedra an instrument and sonic experience like no other.

You can keep it simple and just use Hedra as a standard chromatic pitch-shifter. Or you can begin to pile on the intervals and slip into its dancing diatonic dreamscapes, via its 6 different scales and wealth of rhythmical subdivisions. Now turn up the Glide control and hold down TAP for auto-swelling synthy portamento shifts – or bump up the pitch regeneration – and you’ll be floating away on clouds of shimmering sci-fi effects. Hook a MIDI Keyboard or a MIDI Sequencer up to Hedra and turn your source instrument into a mind-bending tapestry of harmonies and hard-tuned pitch glides.

Although it adds an entirely new dimension to the humble 6 (or more) string instrument, Hedra is not limited to just guitars. In fact, you can use the pedal on pretty much any instrument or line-level audio signal you want.

Whether you choose to totally transform your beats on a drum machine, harmonise vocals or completely alter additional synths, loops or any other type of audio, Hedra’s advanced pitch-shifting palette is sure to transport you and your sound to entirely new sonic worlds.

Features:

  • Advanced 3-Voice Rhythmic Pitch Shifter – from standard pitch-shifting to intricate dancing harmonies
  • Individual controls for Pitch and Time Offset for each voice
  • Chromatic or Key-Driven Harmony – with 6 selectable scale types via ALT control
  • 4 Delay Line Configurations with unique Feedback Routing – for infinite sound design options
  • Unique Keyboard Control via MIDI – puts a live quartet under your fingertips
  • Micro Tune – creates gentle chorus-like detuning, classic studio fattening and extreme warping
  • Glide Mode – slides between pitches at the speed you choose
  • Choose to sweep through Intervals smoothly or hard step for dramatic pitch effects
  • Switchable Half Speed and Auto Swell for advanced textures
  • Digitally controlled Analog mix control
  • Stereo input and output
  • Switchable input / output headroom level for Guitar or Synth/Line level
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack (presets, automation, beat clock)
  • Premium analog signal path and 24-bit AD/DA w/32-Bit floating point DSP
  • Designed and built in Los Angeles, California U.S.A.
  • Standard 9 V power
    (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Enzo – Synth Pedal

Supreme Synth Soundscapes

Have you ever wanted to discover new tonal inspirations but either struggled with the way regular synth-style pedals either tracked on notes or that they could just sound weak and lifeless? Well look no further, as finally the ultimate synth pedal has landed and it will send your tone beyond the horizons!

The Meris Enzo is a multi-voice synthesizer that will perfectly track your guitar for tight monosynth leads, complex chord polyphony, or multi-note sequenced arpeggiation with tap tempo and all without the need for a special pickup!

Also, Enzo is not limited to just guitars. In fact, you can use the pedal pretty much on any instrument or line-level signal. Whether you choose to transform your beats on a drum machine, synthesize vocals or completely transform additional synths, loops or any other type of audio, Enzo’s complete synthesizer tool palette takes your sound to a whole new realm.

In addition, Enzo holds one of the most musical custom 6-mode filter section ever developed, a built-in compressor, dual delay line, ring modulator, portamento options, multiple envelope types, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Enzo is not just another synth pedal, it’s an instrument that will inspire your creativity and musicality for years to come.

Features:

  • Colossal Multi-Voice Dual Oscillator Synth architecture with selectable waveforms
  • Two Tap Delay with Time, Feedback, Modulation, and special two stage level control
  • Three Synth modes: Poly Synth, Mono Synth, and Arpeggiated Synth
  • Two Distinct Tunable Envelope Types: Triggered and Envelope Follower
  • Tunable Portamento Time for smooth transitions between synth notes and pitch shifts
  • Sustain control for extending your volume envelope all the way to endless synth hold
  • Adjustable Compressor with Threshold and Mix for your input signal (Dry mode)
  • Custom 6 mode filter with frequency, bandwidth (resonance), and envelope
  • Wide ranging Ring Modulation with ability to assign envelope control
  • Digitally controlled Analog mix control
  • Stereo input and output
  • Switchable input / output headroom level for Guitar or Synth / Line level
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack (presets, automation, beat clock)
  • Premium analog signal path and 24-bit AD/DA w/32-Bit floating point DSP
  • Designed and built in Los Angeles, California U.S.A.
  • Standard 9 V power
    (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

 

Polymoon – Super Modulated Multi-tap Delay

Communicate with your Dream State

Inspired by Frank Zappa’s and Allan Holdsworth’s innovative use of cascaded rack gear, this super-modulated delay was created to bring a new mind-altering dimension to guitar, bass and synth-players sonic palette with its deep and powerful algorithmic flow.

Practically riding on a tidal wave of shimmering stars and orbiting planets, the Meris Polymoon creates everything from perfectly pristine multi-tap delays, sweeping and shooting modulated bursts to swirling interstellar dreamscapes via its rich yet intuitive design. Just plug in and dream away!

Polymoon’s unique delay algorithm truly sets the bar for what a modern-day digital delay effect should be. With its 1200ms of delay, 6 different multi-tap delay lines, a multi-mode stereo dynamic flanger, tempo syncable stereo barberpole phaser, dimension control for smearing delay lines together and a wealth of LFO and pitch-shifting modulation available via the ALT button, Polymoon is completely uninspired by specific pieces of classic gear. Instead, Polymoon seeks to capture and inspire certain moods and atmospheres with its epic cinematic sounds.

Sure, you can create a simple digital delay line if you want, but after 10mins you’ll find yourself bathing in a heavenly sea of multi-tap delays augmented with pitch-shifting, wild flanger doubling and swirling phasers, all running perfectly in sync with your playing. When it comes to the Polymoon, more truly is more!

Designed to surpass requirements for studio and live use, the Meris Polymoon features 24bit A/D & D/A converters, 32 Bit floating point DSP hardware and a premium analog signal path that always stays true to your core input signal.

Now add one of the best stereo images ever put in a pedal, and extreme expressive capabilities via an external expression pedal or MIDI, and it’s obvious that Meris has created something truly special in the Polymoon.

Features:

  • 1200mS real time selectable multiple-tap delay line
  • Massive multi LFO modulation controls
  • 6 custom tuned LFOs with adjustable waveforms for subtle to aggressive pitch shifting effects
  • Adjustable Tilt EQ filter in delay feedback
  • Tempo syncable stereo Barberpole Phaser
  • Multimode stereo Dynamic Flanger w/ feedback
  • Unique feedback topology
  • Dimension control for smearing reflections
  • Selectable quarter or dotted eighth note Tap Tempo
  • Digitally controlled Analog mix control
  • Stereo input and output
  • Switchable input output headroom level for Guitar, Synthesizer or Line levels
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack
  • External Tap Tempo over TRS
  • MIDI beat clock synchronisation
  • Premium and hi end analog signal path
  • Designed and built in Los Angeles, California U.S.A.
  • Standard 9 V power
    (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Mercury7 – Off-world Reverb Pedal

Replicants Standby

Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury7 is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms.

From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver!

Meris has left no stone unturned in their journey to bring ultra-advanced studio reverb capabilities to your pedalboard. The Mercury7 takes everything that made the original and highly regarded Mercury7 500-series studio rack-unit amazing and distils it all into a compact, sturdy and super intuitive pedal fit for any rig and instrument out there.

Mercury7 sports two different reverb algorithms (Ultraplate and Cathedra), which alone deliver a superb range of ambient tones. Now throw in the ability to modulate, pitch-shift, swell, sustain and EQ the reverb in a million different ways via its rich control set and ALT functions and you have a reverb pedal that has your back whether you’re going for smooth on-stage ambience or otherworldly sound designs that could easily form the backdrop to your favourite movie.

In addition, Mercury7 holds one of the most impressive stereo reverb images ever made, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Mercury7 is in essence way more than just another reverb pedal. It’s a deep and highly musical creative instrument in its own right.

Features:

  • Handcrafted Algorithmic Reverbs
  • Analog Mix & Dry Signal Path
  • Intra-Tank Pitch Regeneration
  • High & Low Frequency Damping
  • Extensive Modulation Capability
  • Auto Swell Envelope (variable and foot-switchable)
  • Stereo input and output
  • Switchable input output headroom level for Guitar, Synthesizer or Line levels
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack
  • Premium and High-end analog signal path
  • Designed and Built in Los Angeles, California U.S.A.
  • Standard 9 V power
    (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Ottobit Jr.

Arcade Dreams Reborn

From an era when visiting the arcade meant silicon-defined-sonics were burned into so many kids’ memories (big and small alike), the Meris Ottobit Jr. is inspired by the world of vintage gaming consoles, bringing those sounds directly to your pedalboard.

So what exactly is Ottobit Jr.? Well, it’s a bitcrusher, but it would be an insult to just call it that. It’s also an ultra-musical sequencer, stutter and filter effect, but it’s not JUST that either. It’s the sum of all of these parts that make the Ottobit Jr. what it is: a maniacal side-scrolling, coin-collecting, power-glove-punching-machine with a host of earth-shattering sounds that’ll melt your face right off! Heck, the pedal is so unique and innovative that it deserves to have a verb all of its own. So plug in, press play and Ottobit away!

Ottobit Jr. takes everything that made the original Meris Ottobit 500-series unit such an innovative studio tool and crams it down into a rugged and roadworthy pedal suited for any rig, be it guitar, bass or synth. Basically, if you have a creative bone in your body and you love designing crazy and unique sounds unlike anything else, then the Ottobit Jr is for you!

Ottobit Jr. sports a fuzzy bitcrusher with variable sample rate, triggered stutter effects, a multi-mode sequencer module and a mind-blowing low-pass filter that sounds just as good as any analog synth filter out there. All of this is syncable and controllable via tap-tempo, expression and/or midi. But most important of all, Ottobit Jr. always stays super reactive to your playing, seeing you jump from fiery fuzz tones to classic arcade bleeps and bloops, only to end up in a barrage of 6-step sequencing and glitchy stutter effects without breaking a sweat and without ever sounding unmusical.

The Meris Ottobit Jr. is built to Meris’ boutique standards in Los Angeles, California, USA. It features an analogue signal path and 24-bit AD/DA with 32-bit floating point DSP to ensure crystal clear sounds with loads of headroom.

Features:

  • Variable Sample Rate and Bit Crushing
  • Vintage Synth inspired Low-Pass Filter
  • Triggered Stutter Effects
  • Sequencer module for Pitch, Filter or Decimation pattern sequencing
  • Tap Tempo for Sequencer and Stutter
  • Stereo input and output
  • Switchable input/output headroom level for Guitar, Synthesizer or Line levels
  • Expression pedal control over all parameters simultaneously
  • Presets available via external 4-Preset switch or MIDI
  • MIDI in/out over TRS via the EXP jack
  • Remote Tap Tempo Switch capable via the EXP jack
  • Premium and hi end analog signal path
  • Designed and Built in Los Angeles, California U.S.A.
  • Standard 9 V power
    (9 V DC, centre -, 2.1 mm, ~150 mA current draw)

Meris MIDI I/O Control Interface

Unlimited Remote Capability

The Meris MIDI I/O is a MIDI-TRS control interface which opens up unlimited control capabilities for up to four Meris pedals. The interface offers remote control, the saving of multiple presets offline and much more, all via your favourite MIDI controller device – even wirelessly via Bluetooth.

Finished in stylish black paintwork, it allows control of all your Meris pedal’s parameters via MIDI and can control up to 4 separate pedals, using different MIDI channels.

MIDI I/O supports MIDI input and output from all Meris pedals and therefore allows unlimited offline preset saving and loading, so you can recall all your preset creations and with the amount of control each Meris pedal gives you, this is a hugely valuable feature.

Using a wireless Bluetooth/MIDI dongle and the MIDI I/O also can allows full control of all parameters of your Meris pedal via your iPhone with a suitable MIDI controller app, when using a suitable Bluetooth MIDI adapter (like Yamaha’s MD-BT01 or similar). The interface has MIDI in and out activity status LEDs so you can keep tabs on what’s sending and receiving MIDI.
As a bonus, the Meris MIDI I/O is also compatible with pedals from other companies like Empress and Chase Bliss*.

Features:

  • Compact, pedalboard friendly MIDI I/O for up to 4 Meris pedals
  • Allows control of all parameters via MIDI
  • Supports MIDI input and output from all Meris pedals
  • Allows unlimited offline preset saving and loading
  • Wireless compatibility* with bluetooth MIDI adapter (*sold separately)
  • MIDI in and out activity status LEDs
  • Also compatible with Empress and Chase Bliss* pedals (* may require additional special cable).
  • Standard 9 V power
    (9 V DC, centre -, 2.1 mm, ~10 mA current draw)

Meris Preset Switch 4-Way Controller

Instant Compact Control

The Meris Preset Switch brings 4-way control to your Meris pedalboard, allowing easy access to saving and recall of up to 4 internal presets to a single or even multiple* Meris pedals, with instantaneous preset switching. No external power is required, simply connect to your pedal’s EXP input with the single included TRS cable.

You can also control multiple Meris pedals with the addition of a simple Y cable* to create a full pedalboard preset system. Compact and boasting a stylish black finish, the Meris Preset Switch is designed to be aesthetically placed in front of 2 Meris pedals, its width being that of two of the pedals.

If you’re a fan of modifying your pedals or are an adventurous tinkerer, Meris has added a hidden PCB socket inside the Preset Switch which can be used for mini Arduino** DIY midi projects. This can turn your 4-way Preset Switch into a MIDI controller!

Features:

  • Easily access up to 4 presets with instantaneous preset switching
  • No external power required
  • Connect with a single TRS cable (included)
  • Control multiple pedals with a simple Y cable* (*not included)
  • Designed to be aesthetically placed in front of 2 Meris pedals
  • Includes 1 Flat 11″ TRS cable
  • PCB socket for mini arduino* DIY midi projects (**arduino board not included)

Meris 440 500-Series Mic Preamp

Get Big Studio Console Sound on your Tracks

The Meris 440 Mic Preamp is a unique boutique 500-Series studio preamp with a difference. With an integrated, pedal friendly built-in effects loop attenuated to guitar-pedal level, means that whatever your mic is recording, you can now use your guitar pedals to add effects to the signal.

Designed to be the ultimate mic pre for guitar, the 440 is just as capable as a mic pre for vocals, percussion and other instruments as it is with handling acoustic and electric guitar transients.

  • Cinemag I/O Transformers for an extremely fat mic pre-tone
  • Built in Effects loop – connect your favourite pedals in-line or use as a superior Bass D/I
  • High Pass Filter that selects between 80Hz and 200Hz
  • Custom 7kHz or 4kHz High Shelf Filter to achieve the optimum tone for your instrument recording
  • 20dB Pad, Phase Reverse and 48V Phantom Power switches
  • Designed and Built in Los Angeles, California U.S.A.

The Meris 440 is designed and built in L.A., California and contains only the highest quality components available today, like legendary Cinemag input and output transformers and hybrid-discrete OpAmps that receive and drive each respective transformer section. These all unite to create highly sought after classic American tone reminiscent of famously popular mic preamps made in the 1970s.

The all-analogue signal path benefits from a customised 4kHz or 7kHz high shelf switch, 20dB pad and full control over the 60dB of gain and output levels. The levels of creativity you can go to with the Meris 440 are only hindered by your imagination!

With immaculate attention to detail, the Meris 440 is solidly built and the front panel controls are clearly laid out and labelled, making it extremely easy to use. Plugging your guitar pedal into the effects loop means you can now add your favourite reverb or delay effects into the signal chain, distortion-free and without the need for any intermediary equipment. The effects loop input also doubles as a super-clean and smooth sounding D.I. for direct recording, adding to its versatility.

Specifications:

  • Gain: Up to 60dB of gain at the input stage
  • High Pass: 12dB / octave High-Pass: 80Hz or 200Hz corner frequency
  • Shelf: High-Shelf boost: + 3dB at 4kHz or 7kHz corner frequency
  • Frequency handling: 20Hz to 20kHz flat frequency response (+/- .3 dB) with all filters disengaged
  • Self-Noise: -130dBu EIN (A-weighted)
  • Input Impedance: 1Meg Ohm input impedance at Return/D.I. input
  • Additional switches: 20dB Pad, Phase Reverse/polarity switch and 48V Phantom Power controls
  • Signal path: Premium components throughout the all-analogue signal path

Meris Mercury7 500-Series Reverb

Off-World Ambience

The Meris Mercury7 Reverb is the world’s first 500 Series Algorithmic DSP reverb unit and uses a premium analogue signal path, alongside 24-bit AD/DA with 32-bit floating-point DSP to deliver its out-of-this-world reverb. Inspired by Vangelis’ majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury 7 Reverb is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms. From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you’re looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver!

  • Handcrafted Algorithmic Reverbs
  • Analog Mix & Dry Signal Path
  • Intra-Tank Pitch Regeneration
  • High & Low Frequency Damping
  • Extensive Modulation Capability
  • Variable Auto Swell Envelope
  • Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
  • Stereo and Surround Linkable
  • Designed and Built in Los Angeles, California U.S.A.

With this dedicated hardware DSP reverb, you get all the reliability and pro level headroom necessary in modern studios (up to 21dBu / 30volts peak to peak, 116dB signal-to-noise ratio) without any load on your CPU/DAW. Plus, it has real knobs allowing you to sculpt the perfect reverb in real-time.

As with all Meris products, the Mercury7 Reverb is designed and manufactured in Los Angeles, California U.S.A, to the highest specifications. The algorithmic reverb has been developed in house by their engineering team, who for many years have been responsible for some of the best sounding DSP in the known galaxy.

The Mercury7 is truly something special. From the first note you play through this magic blue box, the tone and saturation you get from it is just spectacular. It’s very versatile, offering everything from sparkly-clean shimmer ‘verbs to dark and moody hall reverbs.

It also features modulation should you want to delve deeper. Stereo, you ask? Not a problem. With two Mercury7 modules you can live in stereo sweetness using the stereo link cable. Then the left unit’s controls will control the right, or you can set them individually, as you please.

Specifications:

  • AD/DA: 24 Bit
  • DSP: 32 Bit floating DSP hardware
  • S/N Ratio: -116 dB Signal to Noise ratio
  • Signal path: Premium analogue signal path throughout
  • I/O: Burr-Brown precision balanced input and output drivers
  • Mono / Stereo: Stereo and Surround linkable (requires link cable)
  • True Bypass: 100% Analogue bypass
  • Power consumption: <100 mA total power consumption

Meris Ottobit 500-Series Bitcrusher

Audio In >> Video Game Out

Say ‘Hello’ to the Meris Ottobit 500-Series Bitcrusher – No quarters needed.

Crush bits, de-res and sonic destroy. Beep Boop Bop Boop Beep! Conceived as an “Audio In >> Video Game Out” unit, the Ottobit enables you to transform your audio through a dynamic maze of textures, synth elements and bit crushing and is designed to give musicians and sound designers tools to sculpt any source into audio reminiscent of early 8 and 16-Bit video game soundtracks.

Ottobit allows you to create totally unique sounds using its sample rate decimation and bit reduction circuitry, while giving you power over the video game soundscape with a host of Ring Mod effects, Envelopes & LFO Filters.

  • Variable Sample Rate and Bit Crushing
  • Triggered Stutter Effects
  • Tap Tempo for triggered envelopes & LFO modifiers
  • Premium and hi-end analog signal path
  • Designed and Built in Los Angeles, California U.S.A.

Along with bit reduction (right down to 1-Bit) and sample rate decimation, Ottobit offers ring modulation, envelopes and LFO Modifiers and tap tempo control to trigger the envelopes and is a powerful creative tool for electronic musicians and producers. It offers a unique collection of processing elements, giving you absolute control over interesting textures, sweeping sample rate changes, tremolos, vibratos, vintage octavers and primal pitch shifting, all inspired by Kubrick’s use of the Information Rate Changer.

Made in California with a premium analogue signal path and 24-Bit AD/DA with 32-Bit floating-point DSP, Ottobit will smash, crush and decimate your signal opening up a whole universe of aural possibilities. Its design is unique, granting you the power to make any sound source sound like those video games soundtracks so evocative of the 80s.

Specifications:

  • Sample Rate: Decimate sample rate
  • Bit Reduction: Variable bit reduction down to 1-Bit
  • Levels: User controlled gain and mix
  • Ring Mod: Pitch track enabled ring modulator
  • Tap Tempo: Tap tempo controlled triggered envelopes & LFO modifiers
  • Waveforms: Selectable LFO and Ring Mod Waveshapes – from sine and triangle to square
  • Frequency Modulation: Parallel blendable Ring Mod AM/FM Modulation
  • Signal path: Premium analog signal path and 24-Bit AD/DA
  • DSP: 32-Bit floating point DSP
  • Bypass: 100% Analogue bypass
  • Power consumption: <100mA total power consumption

Meris

Audio Distribution Group is proud to be the distributor for Scandinavia 
(Denmark, Sweden, Norway, Iceland and Finland),
France, Spain, Portugal, Italy, Ireland and the UK for Meris.

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