• Compressor pedal with a germanium buffer and tone-shaping stage
• Germanium transistor – used as a buffer and tone shaper, softening harsh highs and adding sustain and bloom
• Germanium saturation – a pleasing, less harsh clip, with no added noise and no loss of headroom
• •eeley’s super silent switching buffer – with selectable true bypass or buffered operation
• Level, Blend, Comp and Tone controls – from a gentle squeeze to full-on squash
• Single Coil / Humbucker voicing switch – sets the recovery speed to suit your pickups
• 9-18 V DC operation with ultra-low current draw
• Proprietary battle-tested enclosure
• Hand-made in Oklahoma City, USA
• Powered by a regular 9 V DC PSU
  • (centre -, 2,1 mm, 25 mA current draw)

A germanium transistor can be wired to amplify, and plenty of pedals use it exactly that way, but here it works as a buffer and a tone-shaping stage instead. Germanium was chosen for its uniquely musical qualities: it takes the edge off high frequencies and distorted signals, lets notes sustain and bloom with an even, more touch-sensitive response, and saturates in a way that stays warm instead of brittle. All of it arrives without the noise or the lost headroom that normally come attached to a germanium circuit, which is why this pedal can sit on a board next to anything.

The four controls are the ones players have trusted for years, and they still cover everything from invisible glue to full squash. Level balances the output, and since compression always takes something away, it’s also where you reclaim the gain you lost or push the pedal into a boost. Blend sets the mix of compressed and uncompressed signal, so you can keep the dynamics of your picking at full clean on one side or commit entirely to compression on the other. Comp raises the ratio and the sustain together as you turn it clockwise, and Tone walks the whole pedal from dark and thick to bright and open. The Single Coil / Humbucker voicing switch sets the recovery speed, which is a simple way of saying it lets the compressor breathe at the right rate for your pickups.

Flipping between true bypass and buffered operation happens at the footswitch. Hold it down for two seconds and the LED blinks twice for true bypass or three times for buffered. Keeley sets it to buffered at the factory because that’s where most boards will want it. The super-silent switching buffer does its work without a click or a pop, and with 9-18 V compatibility and an ultra-low current draw, the pedal is happy to share a power supply with anything else on your board. It all lives in the same proprietary battle-tested enclosure Keeley has been bolting to pedalboards for years.

How do you make the Keeley Compressor better without losing anything about what guitarists fell in love with in the first place? That’s not an easy question. However, twenty-five years and more than 160,000 compressors later, we think you’ll agree the Compressor Plus Germanium is the best compressor Keeley has made yet.

• Dual-channel Overdrive and Tube Preamp pedal
• Genuine 12AX7 tube running at 168 V – for real tube warmth, compression and touch response
• Keeley-branded 12AX7 tube – burned in, fully tested and displayed behind a custom tube shield
• Legendary Phat Mod drive channel – from warm tube grit to uber-thick stacked overdrive
• Switchable effect order – Drive into Tube or Tube into Drive from the footswitch
• Selectable true bypass or silent buffered switching
• Independent Level, Drive and Tone controls per channel
• TRS remote input – for channel switching with an external footswitch
• Hand-made in Oklahoma City, USA
• Powered by a regular 9 V DC PS
  • (centre -, 2,1 mm, 485 mA current draw)

The first thing you notice is the headroom. Roll the guitar volume back and the Tube channel stays clear and musical instead of thinning out, which is the tell of real high-voltage operation. Dig in and it compresses like a pushed preamp, that soft clip that makes single notes hang just a little longer than they should. The Keeley-branded 12AX7 sits behind a custom tube shield, and the box includes the removal tool, so swapping in your favourite NOS tube doesn’t require a soldering iron.

The Drive channel carries the other half of the story: Keeley’s legendary Phat Mod, the original mod that turned a stock BD-2 into something players still hunt for. On its own it goes from warm, touch-sensitive grit to full-on stacked overdrive. Into the Tube channel it becomes a fat, well-defined wall of gain that maintains its note separation, no matter how hard you push it.

A long press on the footswitch flips the effect order, so the Phat Mod can feed the tube preamp for smooth, rounded warmth, or the tube can feed the Phat Mod for a more aggressive, cutting overdrive. The same gesture toggles between true bypass and Keeley’s renowned silent buffered switching, which you’ll appreciate the moment there’s a long cable run between your board and the amp. Each channel has its own Level, Drive and Tone controls, and the TRS remote input lets you jump channels from far across the stage if needed.

Built from start to finish in Keeley’s Oklahoma City headquarters, the Tube Drive is the pedal your whole board ends up organised around. Warm tube grit, Phat Mod roar or both stacked into one massive voice. Plug in and let that 12AX7 do its thing.

• Freeze-Hold Delay Pedal
• Pedal-sized recreation of the legendary DM2000 rack unit delay
• Selectable modulation capable of everything from subtle warble to tape reel slams
• Controls for Blend, Feedback, Filter, Depth, Input, Rate and Time
• Built-in Tap Tempo Delay Switch and dedicated Hold Switch
• Store and recall presets with the dedicated Preset switch
• Selectable stereo delay modes: Normal and Ping-Pong
• Selectable True or Buffered Bypass
• Expression control input and MIDI compatible with 72 presets available
• Stereo outputs with Wet + Dry or Wet-only operation
• Top-mounted jacks and soft touch relay switching

NOCTURNE

Andy Timmons Signature Reverb

Developed in collaboration with Andy Timmons, the NOCTURNE from Keeley Electronics is a flagship reverb pedal that redefines ambient tones. With three reverb soundscapes shaped by just four intuitive controls, it’s designed for effortless onstage control and sonic depth for plug & play types. Advanced users will appreciate its remote switching, expression pedal support, preset storage, and full MIDI integration for maximum flexibility.

The NOCTURNE pedal gives you three new reverb modes — Nocturne, Spring, and Plate — each designed to be the guitar and amp’s perfect companion. The Plate reverb is based on Keeley’s extensive analysis and modeling of the stereo tube plate reverb that was in Austin City Limits studio since the mid-1970s. The Nocturne’s Spring reverb features their finest sounds based on both stand-alone reverb tanks and tube amplifier combos.

The simple four-knob layout of Tone, Level, Decay, and Modulation makes it easy to shape each gorgeous reverb algorithm. Each mode can be made a preset so you can store your favourite sounds. Alt features include pre-delay time control, allowing you to create slapback echo effects.

NOCTURNE offers a flexible signal path with True or Buffered Bypass, Expression Pedal control, Remote Switching, and MIDI compatibility for up to 72 presets. Whether you’re running mono or stereo, wet/dry, or full wet for parallel rigs, the NOCTURNE adapts easily to any setup. Built on Keeley’s award-winning Core architecture, every component and line of code is tuned to make this reverb feel musical and alive.

Operation is easy with the NOCTURNE – if the indicator LED is blue then it’s ‘wysiwyg’; the knobs set the tone or level of each reverb mode. If the LED is red, each reverb is a favourite or preset, where you can save the settings for each reverb mode.

Engineered for the working musician and voiced for inspiration.

• Stereo Dual Delay effect pedal
• Stereo Dual Delay effect pedal
• Andy Timmons signature “Halo” sound saved as a factory preset!
• Functions as 2 delay pedals with up to 1500ms of available delay time with different sounds savable to sides A and B – then switchable between on-the-fly
• 5 delay rhythms
  • Quarter Note
  • Dotted Eighth
  • Andy Timmons HALO
  • Bucket Brigade – stereo rack analog BBD delay
  • Tape Delay – vintage multi-head tape echo
• 8 factory presets loaded with new delay and modulation sounds
• Status light indicates when you’ve adjusted a knob from home settings
• Soft stomp switches for tap tempo, infinite hold, preset save/recall, and more
• Remote switching and programmable expression pedal control
• DREAM multi-core DSP for stunning sound quality

• Studio quality delay with tape flanged modulation
• 3 memory presets, subdivisions, trails, runaway feedback
• Huge array of tone and time-based controls with the Alt Hold feature
• Full-featured Looper with reverse and half-speed loop effects
• 2 minutes of looping in mono, 60 seconds in stereo,
• Endless layers of recording!
• True-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher
• Expression pedal assignment over any parameter and in any direction
• Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems
• 100% analog dry signal, audiophile designed input to output
• Stereo True-Bypass/Trails, switchable on the fly
• 9 Volt DC, 115 mA low-current design
• Made in Edmond, USA

• Stereo high-fidelity Reverb and Tremolo effect pedal
• 3 memory presets, subdivisions, trails, infinite hold reverb trail
• 3 reverb (Spring, Plate and Room) and 3 tremolo modes (Sine, Harmonic, Vibrato)
• Huge array of tone and time-based controls with the Alt Hold feature
• Bypass and Tap Tempo on-board or remotely with any style pedal-switcher
• Expression pedal assignment over any parameter and in any direction
• Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems
• 100% analog dry signal, audiophile designed input to output
• Stereo True-Bypass/Trails, switchable on the fly
• Made in Edmond, USA
• Powered by a regular 9V DC PSU
       (centre -, 2,1 mm, low ~115 mA current draw)

Keeley Compression

the industry standard

Keeley really cut their teeth on compressors in the beginning of their pedal journey and now boast an impressive collection of industry leading devices to help level out your sound.

From the now legendary classic comp tones and sweet sustain of the Compressor+, the extreme studio-style clarity of the compact GC-2 and Bassist Limiting Amplifier to the in-depth control and precision of the Compressor Pro.

Your tone will always be perfectly balanced with Keeley onboard.

Tone Workstations

compact gigging mutli pedals

Whether you’re looking to channel the tone of the greats or make your own mark on the music landscape, then the Keeley Workstations are the perfect tools for the job.

From Gilmour’s iconic soaring lead tones and melodic modulation sounds in the Dark Side, to the reverberating walls of shoegaze sound in the Loomer or the legendary Hendrix fuzz and vibe tones in the Monterey, the sound of guitar giants is just a stomp away.

While the myriad of modulation, delay and drive sounds in the SuperMod, Delay and Tone Workstations are perfect for musicians who require unprecedented versatility and soundscaping abilities at their feet.

Your rig is simply sure to take on new creative life with the amazing Keeley Workstations at the center of it all.

Audio Distribution Group is proud to be the distributor for Keeley Electronics in the UK, Ireland, Iceland, Greece, Finland, Spain, Portugal and Scandinavia (Denmark, Norway and Sweden).